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The Frozen Tears of Angels is the eighth full-length album by Rhapsody of Fire. It was released on April 30, 2010 via Nuclear Blast. It is the first album to be released after a long hiatus, caused by a legal dispute with the band's previous label, Magic Circle Music. The concept album is the third chapter of "The Dark Secret Saga", which began with Symphony of Enchanted Lands II: The Dark Secret, but is more speed and guitar-oriented compared to its two predecessors.

listen as I speak about all things Rhapsody Of Fire with Luca Turilli.

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Since the release of their debut album “Dawn of Possession” (Roadrunner) in 1991, IMMOLATION has been a driving force in the extreme metal scene that they helped define. Never a band to rely on their previous efforts, IMMOLATION has continued album after album to refine and hone their unique style and sound, creating some of the darkest and most adventurous death metal the scene has ever heard. With such classic albums as “Here In After”, “Failures for Gods”, and “Close To A World Below” (Metal Blade), as well as their more recent critically acclaimed releases, “Unholy Cult”, “Harnessing Ruin”, “Hope and Horror” and “Shadows In The Light” (Listenable/Century Media), the band has developed into one of the premier extreme acts of our time.


Legends in the underground scene with over two decades under their belts, one of the most ferocious live bands out there, and now with a new album ready to drop in 2010,… IMMOLATION does not look like they are letting up anytime soon! With the release of Majesty and Decay, their first for Nuclear Blast Records, IMMOLATION has not only once again surpassed their previous releases, but has also without a doubt created their strongest, best produced and most crushing album to date! If a band has ever gotten better with age, IMMOLATION is the finest example. Recorded at Millbrook Sound Studios with long time producer Paul Orofino, mixed and mastered by the talents of Zack Ohren (Castle Ultimate Studios), and with the stunning artwork of Par Olofsson to complete the package, “Majesty and Decay” is an instant classic!


With even a more violent militant edge, and some of the most disheartening musical landscapes the band has ever created, “Majesty and Decay” towers in size and scope, taking the listener to the darkest, bleakest depths that only IMMOLATION can provide. From some of the bands fastest moments recorded, to their most pounding unrelenting scores of depravation, “Majesty and Decay” has enough diversity and dynamics to lay the most die-hard listener to waste! If any album can define death metal today in its most true and matured form, this is it! Experience IMMOLATION for yourself and revel in the Majesty and Decay!!! See the band devastate North America, Europe and beyond when they hit the live circuit in 2010/2011!



A special thanks to hoffenator for help with this interview

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In July, 2009, it was announced that work was ongoing for their next record Starve for the Devil. In September, recording sessions began with Nathaniel Carter performing bass and production being handled again by Chris "Zeuss" Harris.

Starve For The Devil was released in North America on February 9th and sold around 1,800 copies in the United States in its first week of release. The CD landed at No. 13 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by new and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.

Listen to our exclusive interview with Arsis main man James Malone as he talks about all things Arsis!

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Threat Signal arose from the filthy, industrialized east end of Hamilton Ontario Canada in late 2003. A detuned, syncopated, melodic metal machine, Threat Signal combines the complexity trash metal, with a more contemporary grove sound involving technical rhythms, and melodic musical passages.

Before the band had played a single live show, their home recordings generated a significant interest online. The song ‘Rational Eyes’ hit 1 on the international independent music website GarageBand.com and remained in the top position for over 2 years. This prompted many record labels to take notice. One label in particular fit perfectly with the bands vision, and in 2005 Threat Signal inked a deal with Nuclear Blast Records.

Threat Signal’s debut album ‘Under Reprisal’ was recorded with producer Christian Olde Wolbers (Fear Factory/Arkaea). Veteran mixer Tue Madsen added the final touches to the album and it was released internationally in August 2006. Embraced by fans and critics, perhaps the most meaningful praise for the album came in the form of the Canadian Recording of the Year award bestowed upon the band in their hometown at the 2006 Hamilton Music Awards.

After supporting Under Reprisal on the road for over 2 years, Threat Signal entered the studio in November 2008. They recorded their second album ‘Vigilance’ with vocalist Jon Howard taking on the role of producer. Fellow Canadian Greg Reely was chosen to mix and master the album, and it was released on Nuclear Blast Records September 8th 2009.

In this exclusive interview with vocalist Jon Howard we talk about all things Vigilance!

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AUGURY is a relatively new name in Montréal’s musical landscape, yet the very idea of the band was in the air since the musicians met in 1997. But serious stuff began in the winter of 2001/2002 when lead/classical guitarist Mathieu Marcotte left his band Spasme and started auditioning a string of drummers to seriously start a complete outfit. Shortly after, he was joined by soprano vocalist Arianne Fleury and demented bass wizard Dominic “Forest” Lapointe and started to jam complete songs.

In the mean time, vocalist Patrick Loisel had pledged to join and, in February 2002, took a hiatus left his outfit Kralizec to become the band’s other lead guitarist as well. In June of 2002, former Adenine’s drummer Mathieu Groulx completed the line-up and helped the band shape their first six songs and play its first show. However, lack of time and different musical tastes led him to depart Augury.

For a few months, the drummer-less outfit spent time writing more songs, focusing on strings instruments arrangements. Then, to the relief of everyone, the final missing piece fell in the puzzle as drummer Étienne Gallo took over the seat. After months of arranging and rehearsing the songs, AUGURY finally commit their work into an album. Concealed was recorded by Yannick St-Amand and mixed by Jean-François Dagenais.